Women’s March LA – 2018

I arrived at the Women’s March VERY early with my staff because it was important to show support for what women, minorities and immigrants are facing in this country. While I was chatting with all of the wonderful men and women who came to march and protest, my god-daughter sent me a text that she and her friends were somewhere in the madness at 20 strong. I was more than proud of her because millennials are the group that will be negatively impacted the most with this administration’s policies. I was also proud of all the women, men, teens and younger kids gathering to make this year’s march a success, as well as to make their voices heard, not just in this country, but around the world.

If my mom were still alive, that first sign above referencing the 1960s, is the one she’d be holding. She believed in equality, was a staunch feminist and would have been at this march, or some march across this country. But she also would have been thoroughly pissed-off that we’re back at square one. But believe this, we’ll make it right mom, one day soon! We cannot and must not continue to allow history to keep repeating itself.

Today women and our allies, came together across this nation and around the world for the Women’s March. Let’s get something done. Rallies and protests are great, but we need to come together as a cohesive unit every single day and not just one day out of the year. I don’t want my nieces, god-daughter or any young girl in and outside of this country, to still be fighting the same fights we’re fighting today, and the fights our ancestors thought would be in my generation’s rearview mirror, against an extremist, patriarchal government who wants to have total control over women, our reproductive rights and how high up the ladder of success we can go. Our gender should NEVER be a deciding factor on any achievement in our lives, and our bodies and what’s inside of them, are our own to govern. The Handmaid’s Tale is a work of fiction and we should never EVER allow something like that to become a life imitating art moment.

As for immigration, everyone should be welcome in this country no matter what race, creed, ethnicity or religious affiliation. The Statue of Liberty says: Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tossed to me, I lift my lamp beside the golden door!”

There’s no caveat in that statement which says you’re only welcome if you’re White. This is only one of a multitude of reasons why we’re marching, protesting, resisting and signing people up to vote. The very heart and soul of this country is dependent upon reclaiming our right to call ourselves decent and moral people. We cannot and will not allow a small group of racist oligarchs and kleptocrats to reverse the progress we’ve made in the US regarding race, religious freedom, immigration and women’s rights just because they long for a bygone era of White Male Supremacy. The buck stops with each and everyone one of us and by now, we should have all had ENOUGH!

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From The Scoodie to All of You…

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The Wails of Our Ancestors

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Let’s be clear; sane, intelligent people know exactly who Trump is by now. If you don’t, then obviously you’ve been living in a cave for the last year. When Trump gave his first press conference in regards to the Charlottesville tragedy, that was exactly how he felt and who he is. Then that pathetic 2nd press conference was forced and he meant none of it…that wasn’t who he is. Yesterday’s press conference where the REAL racist Donald Trump emerged, supporting violent White Supremacists, Neo-Nazis, Alt-Right and KKK criminals, should put a period at the end of the sentence for every decent person in this country. But on cue, we have his Black plantation brigade coming out in full-force to defend the indefensible.

 

Yes, these men and women have every right to put their trust in Trump and believe whatever they choose. However, we have a right to pull their Black cards and put them squarely in the box with the rest of his despicable surrogates. They are not grounded in reality; they seem to have developed amnesia about history and they can never be trusted because they’re as Malcolm X so succinctly put it, “the house negroes”. They’ll sell-out anyone and everyone who dares to challenge their “massa”. Each and every one of them are still on the plantation, yet think they’re making these decisions on their own volition…they’re not. They’ve been manipulated, brainwashed and seduced by those in a system designed to find our weaknesses and exploit them.

Though they may dress well, eat well, fly around on massa’s private jet, attend events with massa and massa may put a few coins in their pockets, but they’re still massa’s slaves. They seem to relish in the fact that they’re dancing with the devil and disrespecting all of the people who fought and died during slavery, segregation and Jim Crow. Those brave, strong and powerful men and women risked everything including their lives, in order to make sure that future generations would never have to be subservient to anyone, and have all of the rights and freedoms afforded to White Americans. Lynne Patton, Pastor Darrell Scott, Gerard Robinson, Paris Dennard, Bruce LeVell, Diamond and Silk and so many others in and around that administration, have jettisoned any semblance of morality, and these Black men and women have literally made our ancestors weep.

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Review: The Dark Tower

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This will be short and sweet. I thought every component was in place for The Dark Tower (based upon a Stephen King novel; come on, how could anyone mess that up) to be an awesome film, but the director and the writers who adapted this screenplay, didn’t know how to pull the story together enough to make the film cohesive or compelling. I do feel that they need to make a sequel and get another director who has an eye and feel for this genre of film, or simply get Ron Howard to direct it instead of just being a producer. Ron Howard is an award-winning auteur; he is among the elite directors in the industry. With Howard, this film would have made better sense. In addition, for the love of all things suspenseful, hire different writers who know how to compose a strong story that will hold your attention and keep the audience on the edge of their seats. The writers did a poor job of weaving all of the storylines together, which resulted in some left dangling or ended with cheap resolutions. Idris Elba was perfect as the Gunslinger. He had just enough of the right nuances to make a disillusioned reluctant hero. Matthew McConaughey was campy, but he made you love to hate him as the Man in Black. Tom Taylor as the psychic kid, has a screen presence that is undeniable. Excellent cast, but bad storytelling and directing.

War for the Planet of the Apes

 

 

 

First, allow me to say this; I own every Ape film starting with the original Planet of the Apes with Charlton Heston. These films are my guilty cult classic favorites. If all else fails, I will watch one of these films and I’m good. So this would beg to question how could someone mess up an Ape film with a huge built-in audience; well the answer to that question is scattered throughout this latest entry, War for the Planet of the Apes. Where on EARTH does one begin. This film is a bloody bore from beginning to end. It is a combination road-trip and revenge film and allegory all rolled into one. The only thing that is crystal clear in this film is that apes are good and humans are bad.

Now let’s get to the meat of the film. Ceasar, who is the ape leader, should have been a memorable character but instead, he was brooding and distinctly uninteresting. He was the reluctant hero trope seen in countless films, yet he was way too reluctant for this film to generate any real interest in what happens to him. Enter Woody Harrelson’s sterotypical bad guy who not only hated apes, but is also hell-bent on murdering humans who contracted some ape-virus that rendered them mute, which included his own son, thus becoming worthless in his warped sense of Nazi-level purity.

Oh yes, we had Nazi and American slavery symbolism all throughout this film in the way in which the apes were rounded up, put in chains and placed in work camps, with some literally being branded so that they could be subservient to the soldiers and being subjected to cringe-worthy and degrading taunts. These apes were also used as “overseers” to keep the captured apes in line. Oh and did I mention the multitudes of sub-plots, one in particular that involved the good “Northern” soldiers on the hunt for the I assume, “Southern” soldiers led by Harrelson, who’ve gone rogue and are pledging their allegience to a bastardized ideology of superiority, slavery and murdering those they deem inferior. The Civil War was also alive and well within this slow-moving cinematic snail.

War for the Planet of the Apes has gotten high marks on Rotten Tomatoes and has been lauded as “the best in the series”; “smart, thoughtful, confrontational and challenging”; “impeccable film of risky dramatic range” and a host of other wonderful reviews, but I don’t happen to feel that this film is any of that. I love intelligent films with an old-fashioned feel, but War for the Planet of the Apes is a slow-moving, schizophrenic snooze-fest that didn’t quite figure out what kind of film it wanted to be. It had no solid storyline and looked as if the writers and director decided to incorporate everyone’s cool sounding ideas, and as a result of that boundary-less direction, the director didn’t quite know how to piece all of those “fabulous” ideas together in order for the film to make sense. I have no doubt the film will be number one at the box office, but just because it comes out on top, doesn’t mean it’s a good film.

If you go see this film, just know that if you want some mind-blowing special effects, incredible battle scenes and an epic ending that will have you insisting on seeing it again…you ain’t getting it with War for the Planet of the Apes. But what you WILL get is a film aimlessly meandering along with a ton of political messages and imaginery, laughable dialogue, a hard to follow storyline with characters that weren’t fully developed and a waste of over 2 hours that you will never get back.

The Chatter, The Scoodie’s Sister Podcast was with Award-Winning Photojournalist Haywood Galbreath

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The Chatter, which is the sister podcast of The Scoodie,  was honored to interview Haywood Galbreath. He is the first African-American owned news photo service to have permanent credentials in a major court case and invited to participate in the court case photo pool and that case was the infamous “Crime of the Century”, the O.J. Simpson Murder Trial.

Haywood’s career has been spent working for the rights of media access for all qualified media organizations, especially minority owned media organizations that are often denied the privilege to cover events about minorities. He is also an advocate for the underprivileged and underrepresented in America.

A few more of his professional highlights:

First African-American owned news photo service to cover the celebrated Emmy’s from inside the auditorium. (1997)

First African-American owned news photo service to cover the prestigious Breeders’ Cup horse race. (1997)

First African-American owned news photo service to be pool photo in a major court case Geronimo Pratt the Black Panther member who was wrongly accused of murder hearings.

Only African-American owned news service to have a continuous field position for the Super Bowl.

Covered special events for the last five presidents of the United States including Presidents: Barack Obama, George Bush Jr., William Clinton, George Bush Sr. and Ronald Reagan.

Link to Interview: https://www.podomatic.com/podcasts/thechatter/episodes/2017-06-30T14_46_25-07_00

#haywoodgalbreath #OJSimpson #Photojournalist #Entertainment
#SydneyChandler #Publicist #Journalist #JenniferThompson

Sister Podcast, The Chatter at Latin Sounds -LACMA, Featuring Opa Opa

 

 

Every Saturday at the Los Angeles County Museum (LACMA) on Wilshire, they host Latin Sounds. It’s a free weekly outdoor concert on Satudays at 5:00 pm. At this performance was Opa Opa! They feature a distinctive blend of tich percussive rhythms, unique vocals and brassy horns that differentiates their band from other salsa bands. They’ve perfomed with Celia Cruz Willie Colon, Ruben Blades, El Gran Combo de Puerto Rico and Charlie Palmieri. Saturday, June 17, 2017.

Link to video: https://youtu.be/MUaUg0LHQ8g